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Showing content with the highest reputation since 03/10/2019 in all areas

  1. 3 points
    Yes, that is on the docket. 🙂
  2. 1 point
    Always nice to hear. Thanks! 🙂
  3. 1 point
    Yep, Fact Fiend:https://www.youtube.com/channel/UCaR-e8ComPih10DqPi3sdWg
  4. 1 point
    Hi, that'll be Karl Smallwood. He hosts a YouTube show called fact fiend.
  5. 1 point
    Naval mines look like spheres with projections surrounding it. We see them in war photos, cartoons, and minesweeper, but why do they look so funky and what do the parts do?
  6. 1 point
    I add and use keyboards for both Kana and Romaji for the Japanese language with a predictive feature. If I type kaimono (shopping) on my keyboard this hiragana will appear かいもの (ka-i-mo-no) then a predictive kanji for kaimono (shopping) 買い物 will appear and I have to tap or click it.
  7. 1 point
    Also weighing in - I’m a 27 year old female graduate student and I live listening! I found the podcast through your YouTube channel and it is honestly the first podcast I’ve gotten into and I’ve really been enjoying it. I listen to it at night to unwind after studying, on long drives and on planes. I feel like I enjoy your podcast for the same reasons most people have been saying, I just happen to be female (woo!) I really enjoy the interesting history - I think you explained the events leading to WWI the best I’ve heard. I DO love the macabre - what can I say, the gruesome is fascinating. I enjoy the casual banter and the tangents. I really enjoy the awkward transitions and when you congratulate yourselves on things like a good transition or a good sponsorship or complain about how much it costs to host. It’s enjoyable and so refreshingly transparent. It makes me feel like I’m listening to a friend’s podcast and I connect even more. Please continue to do slightly awkward and clumsy transitions between topics, I LOVE THEM. Finally : Simon, PLEASE ROAST MY REVIEW! (It’s on iTunes, shadowfax1300) It’s absolutely hilarious when you accidentally roast 5star reviews. I don’t know how others feel, but I love it.
  8. 1 point
    I’ve never been married and I have no kids. I’m a huge fan of trivia and tend to listen to all of your YouTube videos rather than watch them. I have a hard time finding good educational ones usually because of their voices and/or music selections I’ve noticed that I have to watch 4-5 videos before I receive recommendations. Yours is also the only educational podcast I listen to. The rest are pop culture and TV.
  9. 1 point
    A thing I'm wondering about if the whole women don't watch edutaining youtube videos isn't a bit of a self-fulfilling prophecy: I am subscribed to a number of educational youtube channels, but I never get recommendations for other educational content, just older videos from channels I am already subscribed to. Another thing I will note is that podcasts are for when I'm travelling/working (I do mindless physical work) and youtube videos are for when I can sit and watch stuff.
  10. 1 point
    The part about unnecessary letters reminded me about a YouTube video named 'What if English were phonetically consistent'. If you like language quirks/kwirks/kwerks/kvurks, this may be both fun and interesting. https://youtu.be/A8zWWp0akUU
  11. 1 point
    I found this episode really interesting! I actually have a few interesting facts that I want to add too! I did a report on Theatrical Gas Lighting in college, and this reminded me of it. In the Neoclassical Era in French Theatre, nobles would actually be seated on the stage, to showcase their wealth. Theatre, in general, was also very "flat". Sets were often flats (think walls), that were painted to look like the given scenes. There wasn't much depth, and the theatre was about the spectacle and being seen as an audience member, as opposed to actually seeing a performance. The advent of gas lighting (introduced in 1817 at the Lyceum, Covent Garden, and Drury Lane Theaters in London) created a marked change in the theatre dynamic. Lighting was brighter, controllable, and could produce colors with colored cellophane or the famous "limelight", the former being the predecessor to modern-day cyc lights, which create their colors with colored "gels". This advancement in lighting allowed for the onset of the naturalism/realism movements in theatrical styles; because the actors could actually be seen, their choreography became more realistic, and costumes, makeup, and sets became more detailed. With this gas lighting, a divide developed between the audience and the performance. The gaslights likely made the theaters very warm and posed a fire hazard. As a result, the lights in the audience would be dimmed when the lights on-stage were on, thus leading to the modern practice of dimming the house when the show begins. As one could guess, the audience members could no longer see each other in the darkness, and they instead focused on the performances. This point likely marks the shift from an active audience to the passive audience of modern theatre. I have also included a few graphics of how this gaslighting work. They can be found in Walter Grafton's Handbook of Practical Gas-Fitting and Lloyd's Practical Guide to Scene Painting and Painting in Distemper (respectively). Sources Include: Editors of Encyclopædia Britannica, The. "Limelight." Encyclopædia Britannica. Encyclopædia Britannica, Inc., 14 Feb. 2012. Web. 25 Feb. 2017. Emeljanow, Victor. "Erasing the Spectator: Observations on Nineteenth Century Lighting." Theatre History Studies 18 (1998): 107-16. ProQuest. Web. 25 Feb. 2017. Essig, Linda. "A Primer for the History of STAGE LIGHTING." TD & T - Theatre Design & Technology Spring 2016: 10,20,22-23. ProQuest. Web. 25 Feb. 2017 . Grafton, Walter. "Chapter XI: Theatres and Public Places of Entertainment." Handbook of Practical Gas-fitting: A Treatise on the Distribution of Gas in Service Pipes, the Use of Coal Gas, and the Best Means of Economizing Gas from Main to Burner: For the Use of Students, Plumbers, Gas-fitters, and Gas Managers. London: B.T. Batsford, 1907. 141-54. Print. Lloyds, F. "Hints on Effects." Practical Guide to Scene Painting and Painting in Distemper. London: George Rowny, 1875. 74-87. Print. McCullough, Jack W. "The Theatre as seen through Late Nineteenth Century Technical Periodicals." Performing Arts Resources 14 (1989): 13-58. ProQuest. Web. 25 Feb. 2017. Pearl, Sharrona. "Building Beauty: Physiognomy on the Gas-Lit Stage." Endeavour 30.3 (2006): 84-89. JSTOR [JSTOR]. Web. 25 Feb. 2017. Rees, Terence A. L. Theatre Lighting in the Age of Gas. Cambridge: Entertainment Technology, 2004. Print. Wild, Larry. "A Brief Outline of the History of Stage Lighting." A Brief History of Stage Lighting. Northern State University, 14 Sept. 2015. Web. 25 Feb. 2017.
  12. 1 point
    I'm still thinking about a guy dressed like Abe Lincoln smashing up chairs in a modern theatre... My girlfriend will ask me what I'm laughing about, I still have to tell her its "the Lincoln thing again"
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